Eddie Shook San Antonio, Texas
I am grateful for every time the spirit sends these little messages through me.
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After The Storm Comes The Calm
by CarlosVivanco
supported by 4 fans who also own “Message”
Perhaps one of Carlos' more "cinematic" albums, in places "After the Storm Comes the Calm" has the feel of an old Hollywood blockbuster movie, decades before they were done with CGI type effects. Kind of an Space-Fusion Ben Hur in it's way. Here we find some of the usual cast of characters you may find on a Vivanco album, the compound time signatures, far east sounding scales, and that urgent sense of abandon that seems to permeate all his recordings.
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supported by 4 fans who also own “Message”
Just finished our first full listen to Far East. That was a trip. I started washing dishes. I ended on the couch suddenly stunned by the silence. I don't remember track changes, or much after track 2. I was just gone. It's that good. Carlos just took over my whole world for a moment in time, and it was wonderful.
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Maine singer-songwriter takes his confessional folk in an electronic direction, dabbling in synthwave textures and bedroom pop arrangements.
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Lush, expansive electronic music that's alternately tranquil and stormy.
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This Chicago (where else?) post-rock group builds wafting atmospheric ambient out of slow drums and a shimmering churn of droning guitars.
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Delicate folk music that recalls ’60s icons like Cat Stevens and Paul Simon on the new LP from Maine’s Simon Linsteadt.
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Lovely, stirring folk from Portland where quiet, bare guitar provides a backdrop for gentle vocal melodies.
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